{"product_id":"atomos-shogun-av-19-rack-4k-monitor-recorder-switcher-prores-raw","title":"Atomos Shogun AV-19 — 19\" 7RU Rack 4K HDR Monitor Recorder Switcher with NDI HX3 \u0026 ProRes RAW","description":"\u003ch1\u003eAtomos Shogun AV-19 — 19\" 7RU Rack 4K HDR Monitor Recorder Switcher\u003c\/h1\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eAtomos Shogun AV-19\u003c\/strong\u003e is a professional \u003cstrong\u003e19-inch, 7RU rack-mount 4K HDR monitor-recorder-switcher\u003c\/strong\u003e purpose-built for broadcast control rooms, studio racks, road cases, and permanent AV installations. At \u003cstrong\u003e$2,099\u003c\/strong\u003e, it combines a \u003cstrong\u003e1200-nit DCI-P3 4K HDR display\u003c\/strong\u003e, \u003cstrong\u003eProRes RAW and ProRes 4:2:2 recording\u003c\/strong\u003e, \u003cstrong\u003e4-camera ISO switching\u003c\/strong\u003e, and \u003cstrong\u003eNDI HX3 over Ethernet\u003c\/strong\u003e into a single, standard rack-width form factor — replacing what would otherwise be a full shelf of separate devices.\u003c\/p\u003e\n\n\u003ch2\u003eRack-ready. Road-case ready. Production ready.\u003c\/h2\u003e\n\n\u003cp\u003eUnlike portable on-set monitors, the \u003cstrong\u003eShogun AV-19\u003c\/strong\u003e is engineered for permanent or semi-permanent installation. Its \u003cstrong\u003e7RU 19-inch rack form factor\u003c\/strong\u003e (482 × 310 × 60mm, 5.22kg) integrates directly into broadcast racks, OB van racks, event road cases, and control room furniture with standard rack ears included in the box. It's the broadcast-grade monitoring and recording hub that lives at the heart of your infrastructure.\u003c\/p\u003e\n\n\u003ch2\u003eKey features of the Atomos Shogun AV-19\u003c\/h2\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e19-inch 4K UHD HDR display\u003c\/strong\u003e — 3840×2160, 10-bit, 1200 nits, 100% Rec.709, 99% DCI-P3, 87% BT.2020\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7RU 19-inch rack-mount chassis\u003c\/strong\u003e — standard rack ears included, road-case and OB van ready\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUp to 8Kp30 RAW recording\u003c\/strong\u003e via 12G-SDI; 6Kp60, 4Kp60, 2Kp240 RAW also supported\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProRes RAW \u0026amp; ProRes RAW HQ recording\u003c\/strong\u003e — plus ProRes 422 HQ\/422\/LT, Avid DNxHR HQX\/HQ\/SQ\/LB, and H.265 (8\/10-bit 4:2:2 and 4:2:0)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4-camera ISO recording + switched program output\u003c\/strong\u003e — record all four feeds independently up to 1080p60, plus the live-switched program channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive multi-camera switcher\u003c\/strong\u003e — quad-view monitoring with real-time touchscreen input switching\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNDI HX3 transmit and receive over Ethernet\u003c\/strong\u003e — send or receive broadcast-quality video, audio, and metadata over a single RJ45 cable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera-to-Cloud (C2C)\u003c\/strong\u003e — direct upload to ATOMOSphere, Frame.io, and Dropbox over Ethernet without removing media\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera control via USB-C\u003c\/strong\u003e — adjust white balance, aperture, shutter, and ISO for Canon, Fujifilm, Nikon, Panasonic, Sony mirrorless, and Z CAM E2 series\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCFexpress Type B recording\u003c\/strong\u003e — plus external USB-C 3.0 storage option\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEL Zone false color exposure tool\u003c\/strong\u003e — stop-based colour coding alongside ARRI false color and standard Atomos false color\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull monitoring suite\u003c\/strong\u003e — waveform, RGB parade, vectorscope, focus peaking, zebras, anamorphic desqueeze (up to 2x), frame guides, SMPTE safe areas, LUT overlay (3D .cube files), 50\/50 split, onion skin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLog-to-LUT real-time preview\u003c\/strong\u003e — monitor in Rec.709 while recording LOG; supports Sony S-Log\/S-Log2\/S-Log3, Canon C-Log\/C-Log2\/C-Log3, ARRI LogC, Panasonic V-Log, RED, Fujifilm F-Log, Nikon N-Log, PQ\/HLG\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6 assignable function buttons\u003c\/strong\u003e — one-touch access to monitoring tools, LUTs, anamorphic desqueeze, and playback modes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual XLR audio with 48V phantom power\u003c\/strong\u003e — 24-bit\/48kHz PCM, balanced XLR outputs, headphone jack, built-in speaker\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComprehensive I\/O\u003c\/strong\u003e — 2× 12G-SDI in (6G\/3G compatible), 2× 3G-SDI in, 1× 12G-SDI out, 1× HDMI 2.0 in\/out, RJ45 Ethernet, 2× USB-C, LANC, BNC genlock\/LTC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional calibration support\u003c\/strong\u003e — Calibrite Display Pro HL via Atomos Calibrator app for verified HDR and Rec.709 accuracy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4-pin XLR DC power\u003c\/strong\u003e — 12–16.8V, 75W; compatible with V-Lock and Anton Bauer Gold Mount batteries via XLR\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eNDI HX3 over a single Ethernet cable\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eShogun AV-19\u003c\/strong\u003e supports \u003cstrong\u003eNDI HX3 transmit and receive over a standard RJ45 Ethernet connection\u003c\/strong\u003e — no dedicated video infrastructure required. Use it as an NDI source visible to all authorised devices on your network, or as an NDI receiver displaying and recording remote feeds with the full Atomos monitoring toolset. Combined with Camera-to-Cloud upload over the same Ethernet connection, the Shogun AV-19 is a full IP production hub in 7RU.\u003c\/p\u003e\n\n\u003ch2\u003eBuilt for three production environments\u003c\/h2\u003e\n\n\u003cp\u003eThe Shogun AV-19 is the right tool for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive events and OB vans\u003c\/strong\u003e — rack-case integration, multi-camera ISO recording, live switching, and instant post-event turnaround\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroadcast control rooms\u003c\/strong\u003e — permanent 7RU rack installation with NDI IP workflows, calibrated HDR monitoring, and reliable SDI infrastructure integration\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFilm and drama on-set\u003c\/strong\u003e — DIT cart or video village rack with ProRes RAW recording, full colour pipeline LUT monitoring, and playback for director review\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eShogun AV-19 vs Sumo PRO-19 — which is right for you?\u003c\/h2\u003e\n\n\u003cp\u003eBoth are 19-inch 4K HDR monitor-recorder-switchers. The key differences:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe \u003cstrong\u003eShogun AV-19\u003c\/strong\u003e is \u003cstrong\u003erack-mount (7RU)\u003c\/strong\u003e with Ethernet-only networking — ideal for control rooms, OB vans, and permanent installations. \u003cstrong\u003e$2,099.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe \u003cstrong\u003eSumo PRO-19\u003c\/strong\u003e adds \u003cstrong\u003eWi-Fi 6E, AirGlu wireless timecode, touchscreen camera control, and a portable chassis with carry handle\u003c\/strong\u003e — ideal for on-set, DIT carts, and location shoots. \u003cstrong\u003e$2,899.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAtomos Shogun AV-19 — technical specifications\u003c\/h2\u003e\n\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eDisplay\u003c\/th\u003e\n\u003ctd\u003e19-inch, 3840×2160 4K UHD, 10-bit (8+2 FRC), 1200 nits, double edge-lit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eColour Gamut\u003c\/th\u003e\n\u003ctd\u003e100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eForm Factor\u003c\/th\u003e\n\u003ctd\u003e19-inch rack mount, 7RU (482 × 310 × 60mm, 5.22kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMax Recording Resolution\u003c\/th\u003e\n\u003ctd\u003eUp to 8Kp30 RAW; 6Kp60 RAW; 4Kp60 UHD\/DCI; 1080p120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording Codecs\u003c\/th\u003e\n\u003ctd\u003eProRes RAW \/ RAW HQ, ProRes 422 HQ\/422\/LT, DNxHR HQX\/HQ\/SQ\/LB, H.265 (8\/10-bit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eISO Recording\u003c\/th\u003e\n\u003ctd\u003e4× ISO feeds up to 1080p60 (3G SDI Level A \u0026amp; B) + 1× switched program\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo Inputs\u003c\/th\u003e\n\u003ctd\u003e2× 12G-SDI + 2× 3G-SDI, 1× HDMI 2.0 (up to 4K60P)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo Outputs\u003c\/th\u003e\n\u003ctd\u003e1× 12G-SDI loop, 1× HDMI 2.0 (up to 4K60P)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eNetwork\u003c\/th\u003e\n\u003ctd\u003eRJ45 Ethernet (NDI HX3, C2C upload) — no Wi-Fi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eNDI\u003c\/th\u003e\n\u003ctd\u003eNDI HX3 transmit and receive over Ethernet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMedia\u003c\/th\u003e\n\u003ctd\u003eCFexpress Type B, external USB-C 3.0 storage (ExFAT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAudio\u003c\/th\u003e\n\u003ctd\u003e2× XLR in (48V phantom), 2× XLR out, headphone jack, mono speaker — 24-bit\/48kHz PCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTimecode\u003c\/th\u003e\n\u003ctd\u003eEmbedded HDMI\/SDI, LTC via BNC input — no wireless AirGlu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCamera Control\u003c\/th\u003e\n\u003ctd\u003eCanon, Fujifilm, Nikon, Panasonic, Sony mirrorless + Z CAM E2 (cable required)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCloud Upload\u003c\/th\u003e\n\u003ctd\u003eATOMOSphere (20GB free), Frame.io, Dropbox — progressive upload over Ethernet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003ctd\u003eDC 12–16.8V, 75W; V-Lock \/ Anton Bauer Gold Mount via 4-pin XLR (included PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMounting\u003c\/th\u003e\n\u003ctd\u003e19-inch rack ears (included); no VESA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSKU\u003c\/th\u003e\n\u003ctd\u003eATOMSHGAV1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWarranty\u003c\/th\u003e\n\u003ctd\u003e1 year standard; 2 years on registration (screen excluded)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAvailability\u003c\/th\u003e\n\u003ctd\u003eIn stock — ships early April 2026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003cp\u003e\u003cem\u003eLaunched at NAB Show 2026. The Atomos Shogun AV-19 is the definitive rack-mount 4K HDR monitor-recorder-switcher for broadcast infrastructure, live events, OB vans, and permanent control room installations — combining NDI HX3, ProRes RAW, and 4-camera ISO switching in a standard 7RU form factor.\u003c\/em\u003e\u003c\/p\u003e","brand":"PRO VIDEO GLOBAL","offers":[{"title":"Default Title","offer_id":47783670284340,"sku":null,"price":0.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0709\/7620\/8948\/files\/Atomos-SHOGUN-AV-19-sg.png?v=1778213387","url":"https:\/\/provideoglobal.com\/products\/atomos-shogun-av-19-rack-4k-monitor-recorder-switcher-prores-raw","provider":"PRO VIDEO GLOBAL","version":"1.0","type":"link"}